Record Label Rejects Amy's New Songs... NOOOOO
#16
Posted 23 March 2009 - 03:52 AM
#17
Posted 23 March 2009 - 03:58 AM
FUCK YEAH!It is indeed crucial that Amy’s return is handled properly... so far so good... but by her... BOSSES??? She should boss them, as it's her talent making them the money! Telling things she doesn't want to hear... that her new songs are too harrowing?! For whom? For Amy, who's written them! I can't stand the infamous artistic slavery clause - minimal production obligation, etc. - these artists are all forced to agree to if they want their careers to go anywhere. Amy, don't go along with being told what to do or not to do on your next record! The business people and the success of their careers depend on you!
dont worry.. she won't.
#18
Posted 23 March 2009 - 04:10 AM
"Flawed yet fabulous, tormented yet towering"
#19
Posted 23 March 2009 - 06:05 AM
amy has a very strict quality control. if her label tell her to keep working on the songs, she will want to get them right.
#20
Posted 23 March 2009 - 09:41 AM
http://www.metro.co....44&in_page_id=7
#21
Posted 23 March 2009 - 10:55 AM
It is indeed crucial that Amy’s return is handled properly... so far so good... but by her... BOSSES??? She should boss them, as it's her talent making them the money! Telling things she doesn't want to hear... that her new songs are too harrowing?! For whom? For Amy, who's written them! I can't stand the infamous artistic slavery clause - minimal production obligation, etc. - these artists are all forced to agree to if they want their careers to go anywhere. Amy, don't go along with being told what to do or not to do on your next record! The business people and the success of their careers depend on you!
Unfortunately, the artist, however independednt and outspoken, usually has the short end of the stick in terms of management. If an artist tries to undermine and disengage from their bosses' ideas, it usually does not go over very well.
Like Ronnie Spector, who after leaving her husband / producer, had nearly all her music blockaded from commercial release or success.
Another example: back in the 60s and 70s, when Motown was raging popular, many of Berry Gordy's artists sought creative control. Martha Reeves, being strong minded and independent, after trying to undermine Gordy, never saw a number 1 hit after 1967. Also, Florence Ballard of the Supremes was fired and had her royalties squared away after doing things her way.
I would like to see Amy take more control, but I don't want her to murder her career, also.
"Amy is amazing. It's as if Bille Holiday and Dianh Washington had a baby and it was raised by Janice Joplin." - jazzblowin on youtube
#22
Posted 23 March 2009 - 12:34 PM
Reality money over talent may be, is, nonetheless, the label's business people shouldn't consider themselves "bosses" over Amy, as that would be a misconception of the true order of importance, but I agree that she should go on with what's possible now, putting her all and everything into it, which includes regaining the artistic freedom that the label might want to model after the misconception of image over content.If an artist tries to undermine and disengage from their bosses' ideas, it usually does not go over very well.
I would like to see Amy take more control, but I don't want her to murder her career, also.
Amy will not have to let that happen, so part of creating her Third is already that artistic freedom struggle, which is an intergrity struggle and a struggle to come back in the world of music that she's so epically conquered before. Amy's got many struggles going on all at once. Strength to her to be where she needs to be. And power to her as well.
Edit: If there are any of the label's people listening in on the forum, and they must be sometimes, then please take no offence, as of course there are people there too who want to work with Amy, for Amy, to get the best possible results recorded, which is what everybody wants.
Edited by Winehousedrunk, 23 March 2009 - 01:16 PM.
#23
Posted 23 March 2009 - 02:36 PM
Janis Joplin
#24
Posted 23 March 2009 - 02:58 PM
...Is that fish I smell?
Amy: "Dying old or never meeting Tony Bennett; if I never get to meet him, I might as well be dead."
#26
Posted 23 March 2009 - 03:29 PM
I hope Mark but I'd love for her to work with Rick Rubin too.
apparently Ronson is working with Duran Duran at the moment. Rubin would be dynamite!!
That this information is out in the media is totally wrong, if there's any truth to it at all. They have been patient and good to her, and there is money to be made...but to leak to the press that her creative process is not "commercial" and they are rejecting it shows a lack of support and a willingness to humiliate her until they get a product that is going to contribute to their bottom line. What's next..."New material from Winehouse makes the grade" , "Album gets go ahead by Island bosses"...
I don't know about this story...
#30
Posted 23 March 2009 - 05:17 PM
apparently 'a spokesman for the star has played down the claims'
http://www.metro.co....44&in_page_id=7
Some posts from this article:
I WANNA HEAR THESE SONGS -
thats who she is , amys real and we love her for her real music
i know id be the first to buy them
- Rehaana, london
another example of these faceless corp types messing with someones art!! theey want all music to sound the same so they can make that moola, as they think people are brainless and just buy what marketed well and has a sound that wont mess with peoples status quo....hmm maybe they're right...
- Acm, shef
Wait, stop.
What does anyone EXPECT her to write & sing about? Being a a barbie doll in a barbie world?
Let's hear these songs. Frankly it would be almost impossible for them to be 'too dark'. They might be crap, but that's a different matter.
- Norquill Bletzergibby, London
"It's open-heart surgery set to music" - Sunday Herald article by Peter Ross Jan 7/07
"Be kinder than necessary...because everyone you meet is fighting some kind of battle." - Anon.
0 user(s) are reading this topic
0 members, 0 guests, 0 anonymous users